{"id":1931,"date":"2025-12-23T11:00:07","date_gmt":"2025-12-23T10:00:07","guid":{"rendered":"https:\/\/wp.catedu.es\/zgzsur\/?p=1931"},"modified":"2025-12-23T11:00:29","modified_gmt":"2025-12-23T10:00:29","slug":"annas-archive","status":"publish","type":"post","link":"https:\/\/wp.catedu.es\/zgzsur\/annas-archive\/","title":{"rendered":"Anna&#8217;s Archive"},"content":{"rendered":"\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=cpizaragozasur\" class=\"twitter-share-button\" data-size=\"large\">Twittear<\/a><\/div>\n\n<h1 class=\"wp-block-heading\">This website has made a &#8220;backup&#8221; of Spotify: it has downloaded 300 TB of music and is distributing it via torrents.<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">For the average listener, the file lacks practical use compared to the convenience of streaming&#8230; but then again, its goal isn&#8217;t to compete with Spotify itself.<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i.blogs.es\/28a86f\/chatgpt-image-22-dic-2025-11_05_42\/500_333.webp\" alt=\"Spotify\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>cc2 Marcos Merino<\/p>\n\n\n\n<p><strong>Anna&#8217;s Archive<\/strong> is an online project for distributing copyrighted books and scientific articles, famous for <a href=\"https:\/\/www.genbeta.com\/web\/que-annas-archive-web-sucesora-z-library-que-google-practicamente-acaba-borrar-sus-resultados\">having positioned itself as the successor to the persecuted Z-Library<\/a> . Now, however, they have made an unexpected and controversial leap into the realm of music, creating a massive &#8220;backup&#8221; of Spotify, the world&#8217;s largest music platform, by downloading some <strong>300 terabytes of music<\/strong> .<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">An unprecedented archive: overwhelming figures<\/h2>\n\n\n\n<p>According to documentation published by Anna&#8217;s Archive&#8217;s own team, the project consists of two main parts: <strong>metadata<\/strong> and <strong>audio files<\/strong> . <\/p>\n\n\n\n<p>27 SPOTIFY TRICKS &#8211; Control all your MUSIC like no one else!<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>256 million tracks<\/strong> properly cataloged using metadata.<\/li>\n\n\n\n<li><strong>186 million unique ISRC codes<\/strong> , the standard identifier for music recordings.<\/li>\n\n\n\n<li><strong>86 million audio files<\/strong> already archived.<\/li>\n\n\n\n<li>Approximately <strong>300 TB of data<\/strong> , distributed in torrents (free download) grouped by popularity level.<\/li>\n\n\n\n<li>Estimated coverage of <strong>99.6% of all listens<\/strong> made on Spotify.<\/li>\n<\/ul>\n\n\n\n<p>In the words of the project&#8217;s own volunteers, it is the <strong>largest open music archive ever created<\/strong> , and the first explicitly conceived as a comprehensive preservation archive, easily replicable by anyone with sufficient disk space and bandwidth.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Why back up your Spotify data?<\/h2>\n\n\n\n<p>Anna&#8217;s Archive justifies the initiative as a natural extension of its mission: to preserve the knowledge and culture of humanity, <strong>without discriminating by format<\/strong> : until now, its focus had been on texts \u2014books, academic articles, historical documents\u2014 because of their high information density, but, as they themselves recall, <strong>music is also culture<\/strong> , and the almost hegemonic dominance of private platforms poses long-term risks.<\/p>\n\n\n\n<p>The central argument is simple: if a substantial part of the world&#8217;s musical heritage <strong>is only accessible within closed platforms<\/strong> , its preservation depends on business decisions, licensing, mergers, bankruptcies, or changes in business model. The archive is thus presented as <strong>insurance against digital disappearance<\/strong> .<\/p>\n\n\n\n<p><a href=\"https:\/\/www.xataka.com\/streaming\/era-streaming-post-p2p-tambien-censura-cuando-netflix-hbo-movistar-retiran-titulos-para-evitar-polemicas\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<p>Furthermore, an archive of this size is <strong>a treasure trove<\/strong> for studies in computational musicology, music classification, and the training of artificial intelligence models. However, as some critics point out, publicly using this type of data raises <strong>serious legal issues<\/strong> .<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How the copy was built: &#8216;scraping&#8217; on an industrial scale<\/h2>\n\n\n\n<p>The developers explain that they discovered <strong>a method to extract data and files from Spotify on a large scale<\/strong> . From there, they prioritized tracks according to the platform&#8217;s own popularity indicator.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>For songs with <strong>popularity greater than zero<\/strong> , the original files were preserved in OGG Vorbis at <strong>160 kbps<\/strong> , without re-encoding the audio.<\/li>\n\n\n\n<li>For tracks with <strong>zero popularity<\/strong> was used <strong>, a recompression in OGG Opus at 75 kbps<\/strong> , a compromise to reduce file size in the face of the vastness of the musical &#8216;long tail&#8217;.<\/li>\n\n\n\n<li>Complete metadata was added: title, artist, album, ISRC, cover art, and technical data.<\/li>\n<\/ul>\n\n\n\n<p>The result is a structure designed not for casual consumption, but for <strong>systematic preservation<\/strong> and massive analysis. In fact, unlike Spotify, this archive doesn&#8217;t offer a user-friendly interface for instantly searching and playing songs. Everything is distributed via <strong>torrents<\/strong> , in large blocks organized by popularity.<\/p>\n\n\n\n<p>This is no coincidence. According to Anna&#8217;s Archive, the goal is not to compete with commercial streaming, but <strong>to ensure that data can survive, replicate, and redistribute itself<\/strong> without relying on a single server or entity. The use of BitTorrent makes the archive <strong>difficult to censor and costly to remove<\/strong> .<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Cultural preservation? Or an attack on the music industry?<\/h2>\n\n\n\n<p>Some users have pointed out an ironic detail: <strong>Spotify was born in a context where much of the music circulated without the permission of copyright holders<\/strong> , and its success was partly due to offering a more convenient alternative to P2P programs. Now, two decades later, a &#8216;backup&#8217; of the platform itself is reopening old wounds in the digital music ecosystem.<\/p>\n\n\n\n<p>For the music industry, downloading and redistributing millions of copyrighted songs clearly fits its definition of large-scale &#8220;piracy,&#8221; potentially larger than <a href=\"https:\/\/www.genbeta.com\/a-fondo\/que-fue-napster-aplicacion-p2p-que-cambio-industria-musical-2000-que-medio-mundo-descubrio-mp3\">Napster&#8217;s in its day<\/a> .<\/p>\n\n\n\n<p>For the proponents of this initiative, however, it is <strong>a form of cultural resistance<\/strong> against a model in which access to music depends on subscriptions, territorial licenses and corporate decisions: they argue that history shows that <strong>music tends to be better preserved when it circulates freely<\/strong> .<\/p>\n\n\n\n<p>For now, Anna&#8217;s Archive continues to ask for <strong>donations and seeders<\/strong> , convinced that her project is a necessary step to ensure that, whatever happens to commercial platforms, <strong>the world&#8217;s music does not disappear<\/strong> .<\/p>\n\n\n\n<p>Via | <a href=\"https:\/\/annas-archive.li\/blog\/backing-up-spotify.html\">Anna&#8217;s Archive<\/a><\/p>\n\n\n\n<p>ORIGINAL AT:  <a href=\"https:\/\/www.genbeta.com\/multimedia\/esta-web-ha-hecho-copia-seguridad-spotify-se-ha-descargado-300-tb-musica-esta-difundiendo-torrents\">https:\/\/www.genbeta.com\/multimedia\/esta-web-ha-hecho-copia-seguridad-spotify-se-ha-descargado-300-tb-musica-esta-difundiendo-torrents<\/a><\/p>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=cpizaragozasur\" class=\"twitter-share-button\" data-size=\"large\">Twittear<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This website has made a &#8220;backup&#8221; of Spotify: it has downloaded 300 TB of music and is distributing it via torrents. For the average listener, the file lacks practical use&#8230;<\/p>\n","protected":false},"author":355,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1931","post","type-post","status-publish","format-standard","hentry","category-android"],"_links":{"self":[{"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/posts\/1931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/users\/355"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/comments?post=1931"}],"version-history":[{"count":1,"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/posts\/1931\/revisions"}],"predecessor-version":[{"id":1932,"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/posts\/1931\/revisions\/1932"}],"wp:attachment":[{"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/media?parent=1931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/categories?post=1931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.catedu.es\/zgzsur\/wp-json\/wp\/v2\/tags?post=1931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}